I heaved a sigh of relief 30 minutes
into the Red Carpet. That's when they took Anupama Chopra off the air
and we got back on an even keel listening to Kelly Rowland and
Kristin Chenoweth. They were much worse than Anupama Chopra, (inane
questions, meet Oscar Red Carpet hosts), but at least they had the
requisite camera personalities, something sadly lacking in La Chopra
whose high-pitched voice and dead expression makes me very restless
indeed. And her hair and make-up were simply embarrassing. No, make
that the shag carpet she seemed to be wearing.
Why is it that Indian women have no
concept of fashion? From Aishwarya Rai to Natasha Poonawala, it's a
case of what top-notch designer the stylist decrees. Style is Anne
Hathaway's Prada, Salma Hayek's McQueen, Halle Berry's Versace; most
Indian women would be unable to wear any of the above-mentioned
ensembles. The only one who comes close to the panache necessary to
wear Dior and Lacroix, for example, is Sonam Kapoor but that's the
point; you are not Sonam Kapoor and you need to figure out what suits
you, especially when you're in the public eye.
But what a fun Oscars it was.
* I thought Seth MacFarlane was
hilarious, talented, suave and entertaining (more of that camera
personality thing). Thought his “We Saw Your Boobs” was
especially fun – only to read how a female columnist at The New
Yorker went ballistic saying SM was a misogynist etc etc, boosting a
“hostile, ugly, sexist night”. Dear Lord. I say please go in
search of your sense of humour, not to mention perspective and,
probably, try to get citizenship in a country that doesn't equate
political correctness with a moral high ground. The first is
tiresome, the second suspect.
* Thrilled to see Tarantino win for
Best Original Screenplay, (man's a God as far as I'm concerned;
cinema's answer to Jay Z in the cool quotient), but there was an
outrage that balanced his win out, and not in a good way. DiCaprio's
20 minutes or so of screen time in “Django” was, as always,
riveting, and he wasn't even nominated. I challenge anyone to name a
single movie this guy has been in which wasn't outrageously sublime,
(yes, even “The Beach”). But there you go. His absence at
Oscar-time is as baffling as Jennifer Lawrence scoring over Sally
Field or the 9-yr-old with the unpronounceable name. As baffling as
Affleck not being nominated for Best Director when his film was a
shoo-in for Best Film. As baffling as Ang Lee scoring over Spielberg
(what, the tiger's acting was better than Daniel Day-Lewis'?).
Daniel Day-Lewis, meanwhile, is
probably one of the best actors ever, but his real-life persona is
even more intriguing. He looks so ascetic, doesn't he? So refined and
otherworldly. When he speaks it's as though he is weighing each word
(unlike Jen Lawrence who seems to have been born with no filter
between the brain and the mouth), and then carefully proferring it
for your delectation. He is, let us not forget, son of a poet
laureate, and husband to a renowned playwright's daughter. Maybe
that's why.
* It's always surprising to me, this
herd mentality, don't know why; should be used to it by now. But
everyone oohing and ahhing over Adele left me cold. She gave a
completely underwhelming performance, so much so she could almost not
be heard over the music. While even Barbra Streisand and Shirley
Bassey's voices have faded in power over the years, you don't notice
it with them because their charisma enters the stage before they do
and leaves you little time to think of anything else. They lift the
hair on your arms and make you sigh in contentment because you feel
there must be hope for a species that they represent. There is a
photo on the Net where all three divas are caught together. It's a
wonderful thing to have lived long enough to see.