People, places and what triggers you to make faces

Sunday, September 7, 2014

Penny Wunnerful


When hands split through a man's chest in a revision of the iconic scene from Ridley Scott's Alien, it was easy to guess Penny Dreadful would be a winner.
Set in Victorian London, the AXN series centres on a motley crew of supernatural-hunters who themselves are not what they seem. They are ostensibly searching for a man's missing daughter but the viewer is soon entangled in everything from Dracula to Dorian Gray and this: A doctor is working on what looks like an autopsy, when the lights go off, he lights a lamp, turns around and the corpse is standing. The doctor weeps and the creature moves towards him, finger outstretched to catch a tear and rub it down his own eye. “Can you hear?” the doctor asks. The man does and the doctor whispers, “My name...is Victor Frankenstein.”
If that doesn't give you your penny's worth, nothing will. The title is from 19th century England, referring to lurid, serialised stories printed on cheap paper that cost a penny each.
With this show, though, it's the words that carry most weight. Listen to Frankenstein's 'firstborn' sneering at him: “Were you really so naive to imagine that we’d see eternity in a daffodil?” in a nod to Wordsworth and Blake and you will get an idea of the emotional ballast headed your way. The cast speaking the lines help in no small way, although HarryTreadaway as the good Doctor swimming in emotional angst is a clear winner.
This Penny Dreadful is written by John Logan. You can just imagine him as he should be, in a dark, dank garret clutching a tawdry Christmas star bauble in his ink-smeared hands and cackling at man's hubris from his own gutter. 

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