People, places and what triggers you to make faces

Monday, January 6, 2014

Waiting, Waiting

2014:
The Captive Prince 3
JR Ward's The King, although I shall skip every mention of Trez, aka The Big Bore
A definitive black leather jacket a la Rick Owens
Paris & Italy
That risky career change
The latest from Stacia Kane,
Oh, and Terrible in real life.....

One night in Bangalore

Yes, that massive
Never go to a restaurant where a shuffling, badly-dressed man turns out to be the maitre d'. He is Satan ushering you into a hellish experience. The outdoor space is so dark you can't read the menus, so dark that you can easily fall into the wide gaps between slabs on the floor that cover a dank water body. Against your better judgement, you sit and order a starter and a main course. The waiter brings the wrong order. 
When the right main finally arrives, described as a "massive roast chicken" on the menu, it turns out to be a couple of pieces stuck on a skewer. If you ask the waiter what he means by it, the immortal answer is, "There's another piece under the potato, madam." 
Don't, whatever you do, then make the mistake of sampling the piece either over or under anything: It will turn out to be bland, chewy and unidentifiable. Escape before dessert does you in. And pay for the bill with a sinking heart because they wouldn't even have had the decency to either replace your order, or cancel it. C'est la vie. 
At least I'll never go to Indiranagar again.




An Indian story

Dude returns to the Motherland after many years in Amrika, buys a flat, wants to get his driving licence. Goes to the RTO where he's told he needs a doctor's certificate. He asks which is the nearest hospital and everything, life as he knows it even, screeches to a halt.
The silence is pregnant.
He is then slowly told, as though he is a child with special needs, “What do you mean 'Hospital'. There's a man in the building next door who is, of course, a certified physician and he will sign what you need.”
So Dude goes next door. Said physician answers dripping wet from a disturbed shower, towel wrapped around his waist, and waves Dude in. When asked if he can do the needful, physician says Certainly.
“Now tell me, what colour is this pen I'm holding?”
“Red,” Dude says.
“And what colour is the lawn outside?”
“Green,” Dude replies.
“OK, here's the signature. Rs 100.”
Now that he can differentiate between the traffic lights, and how First World and Third World functions, Dude leaves a wiser man; he also knows now why people here drive the way they do.

Saturday, December 28, 2013

Christmas candy

The most unusual fragrance of the year, mine, all mine! 
What I spent Xmas day doing, while also reading. Bliss.

All, sometimes, is lost

I spied Sephora in Delhi recently and almost fell to my knees in gratitude. But of course, India being India, (where else do you get no beef at a McDonald's?), it was lacking in the variety which is precisely what Sephora is famous for. Apart from a nod to benefit, Stila had a presence so I bought a token second-choice eyeliner (they didn't have the one I wanted - surprise!) and discovered even OPI had only about 10 colours to choose from. I then sadly tottered towards Starbucks where the appalling decor gave me more of a start than the coffee, and left suddenly after noticing the RiRi Woo poster outside MAC's. Yes, dear Reader, after completing my 100-meter dash there I was told it was out of stock. After which, having lost the will to live, I caught the next flight out.

Monday, December 2, 2013

Flashpoint

Those two dots are the stunned eyes of an owl who has decided to live in the treetops outside the house.

2 Treasures

Bird and coloured onyx ear-rings






Raintree is a boutique in Bangalore housed in a heritage home that has some of the most unusual, creative treasures. Here's two.
Cup-cake quarter-plates

Sunday, November 17, 2013

Japan on a Plate

Edamame soup


Salmon art

Sea bass takes a swim

That seaweed swirl
What is the meaning of life? Why are we here? Is there a God? I wouldn't know. I live for the here and now, by which I don't mean I plan for the weekend, but that I can only rely on this moment right here. So when I found myself at Edo, (meaning estuary, also the former name for Tokyo), ITC Gardenia Bangalore for their “Japan Debate on a Plate”, I was well pleased with my philosophy du jour, because the here and now tasted sublime and I came away with the answer to at least one of the above questions, yes, there is a God, a culinary God at least.
At Edo, that would be Resident Chef Fumio Kikuta who got a helping hand from visiting Chef Vikramjit Roy and Raveen Misra, Regional Brand Ambassador, SEA Portfolio Markets and Emerging Asia who served up whisky-based cocktails that went over my philistine head but which, I was told by connoisseurs at the table, “tasted as smooth as butter”.
I was too immersed in my Salmon with confit melon and miso cream cheese, bubuarare and smoked corn mash to pay too much attention to the Green Tea whisky complete with Johnnie Walker and seaweed flourish except to admire the way it looked (yes, Superficial is my middle name), and by the time the Edamame soup, sansho crisp and foie gras foam arrived at the table, I couldn't have told you the name of my lunch companion. Not because I was imbibing freely but because I had never tasted something so delicate and inspiring. Can there be anything worse than tasting a spoonful of what looks like a science experiment and finding it tastes like one, too? The soup looked like an artist had laboured over it in both terms and Mmm, it was good.
The Chilean sea bass with tamari teriyaki and organic vegetables and jalapenos maceration followed by a dessert of Johnnie Walker XR 21 poached pear carpaccio and yuzu probiotic yoghurt ice was tantalising and refreshing. What an ode to the imagination some meals can be.
I don't know about you but to me, Food can often answer all existential queries.

Wednesday, November 13, 2013

The Indians are coming!


Dot, not feather, and they're everywhere. And I don't mean running away from the Saudi authorities, but on the little screen.
As the old 'Goodness Gracious Me' joke goes: Hannah Simone who plays Cece on 'New Girl'? Indian. Noureen DeWulf who plays Lacey on 'Anger Management'? Indian. Less surprisingly, Sarita Choudhury who plays Mira on 'Homeland'? Indian. And of course Kunal Nayyar on the 'Big Bang', Mindy Kaling for 'The Mindy Project', 'Navi Rawat' in 'Numbers' and Maulik Pancholy in 'Whitney' (who's also Out, thus killing two requirements in one fell swoop; it's been mandatory for years to appease the gay community by representing them as well, you see).
The Indians are not just coming, either, they've been. The frontrunners from Kal Penn ('House') and Naveen Andrews ('Lost') to Rhona Mitra ('Boston Legal') and Indira Verma ('Luther') paved the way for the public acceptance of brown faces on the telly, something Anil Kapoor on '24' must have been most thankful for.
The thing is, though, that when you cast black, brown, Korean and gay because they are black, brown, Korean and gay, it's just as racist and homophobic as Indians looking down their noses at Nigerians or telling your parents you're really Bi. Lady Gaga has been trying to tell us for ages that we are born this way, why haven't we learned the lesson and moved on?
Not that the actors are complaining, and neither am I, and who knows maybe the above have not made inroads in Hollywood because one of Cable's biggest markets is Asia, but it's important to be aware of hidden currents before they pull you under.
When you cast an actor for their fitness in a role, that's when you show an evolution in species. I think it's safe to say we're not quite there yet.
But isn't it fascinating to think of ('Burn Notice') Gabrielle Anwar's father being Tariq Anwar, and so on? Putting borders on the world and on people is just the silliest thing.

Tuesday, October 15, 2013

Feeling grave, anyway

Sometimes I think I need to book myself a "Crazy, Table for One". Everyone was waxing eloquent about Sandra Bullock and George Clooney's new movie "Gravity". The only stunning planetary body you will find there is Sandra's; she's worked hard and each golden, toned muscle thanks her for it. I love space movies, from "Alien" to "Mission to Mars", but I just couldn't understand why the otherwise-terrific Alfonzo Cuaron didn't figure out that for people like us we need to see, um, space. You know, the vastness of it, the silence of it, the terror of it, the nothingness of it. For the whole movie, Sandra is within touching distance of The Blue Marble. How are we supposed to feel what being untethered to anything must be like?
While "Gravity" is not boring, it simply doesn't realize its potential. Like for instance, at the end when touchdown is achieved, we want to see the heroic, immediate American response to disaster and rescue. And this is where Cuaron decides to show nothingness.
Clooney, like Pitt, meanwhile are now simply appearing in movies playing themselves it seems; you can't see a trace of effort in what they do anymore.
I wish "Breaking Bad" was still playing. That at least made terrific, crazy, wonderful sense, yo.